Thursday, June 30, 2005

Enhanced Ovid Web Gateway Interface Coming July 12!

ear Ovid Customer,

We’re very excited to announce that the visual and functional enhancements to our Ovid Web Gateway are complete and the interface will be automatically switched-over on July 12!

The Ovid Web Gateway Resource Center continues to be the first place you need to look for information and training materials to help you introduce your patrons to the new power and flexibility of the interface. Visit http://www.responsetrack.net/lnk/ovid48097/?11KVX037PES to:

* Sign up for an extensive “train the trainer” session. You can also register for a session directly by going to http://www.responsetrack.net/lnk/ovid57380/?11KVX037PES
* View an online tutorial and learn more about Ovid search functionality
* Download a pdf of the End User Guide for printing [coming soon]
* Get an in-depth, detailed look at the new “Find Citation”, “Find Citing Articles”, “Find Similar”, and “Purchase Print Copy” features

And if you haven’t already done so, check out the interface! It was re-designed—based on feedback from institutions like yours—to provide students and faculty, with a better, faster, more user-friendly vehicle for finding and getting access to the research material they need. If you have any questions about the interface, please don’t hesitate to contact Ovid’s Technical Support team at support@ovid.com.


Regards,

Ovid Technologies

Tuesday, June 21, 2005

ARTstor and the National Gallery of Art

ARTstor is pleased to announce that it has reached an agreement with
the National Gallery of Art (Washington, D.C.) to collaborate on the
digitization and distribution through ARTstor of the Foto Reali
Archive, one of the most important photographic archives belonging to
the National Gallery of Art Library’s Department of Image Collections.

The National Gallery of Art Library’s Department of Image Collections
has unusually rich photographic archives. The Foto Reali Archive is
among those most prized by scholars, and as such it is routinely
consulted by art historians, art conservators and curators, historians
of art collecting, and other scholars. Foto Reali was a Florentine
photographic firm that surveyed private art collections as well as
dealer inventories in Italy in the early twentieth century, often
photographing the paintings in situ. Among the private collections
represented in the archive are such key collections as those assembled
by Harold Acton, Vittorio Cini, Alessandro Contini-Bonacossi, Luigi
Grassi and Eugenio Ventura.

The contents of this important archive will greatly enrich ARTstor’s
value to a wide audience in the history of art and related fields,
especially students of Italian Renaissance painting. It closely
complements the Sansoni Archive at the Frick Art Reference Library,
concurrently being digitized for distribution through ARTstor. Everett
Fahy, John Pope-Hennessy Chairman of the Department of European
Paintings at the Metropolitan Museum of Art, has studied the Foto
Reali Archive intensively. He stresses the documentary value of these
early photographs of Italian paintings. “Many of the early photographs
of paintings belonging to dealers show the paintings before they were
restored, often in their original frames,” says Fahy. “As many of the
works are unknown even to specialists,” adds David Alan Brown, the
National Gallery of Art’s Curator of Italian Paintings, “this vast
image collection holds out the promise of exciting discoveries."

In reaching this agreement, Neal Turtell, Executive Librarian,
National Gallery of Art, expressed his enthusiasm in collaborating to
use digital technologies to make these important scholarly resources
more broadly available for noncommercial pedagogical and scholarly
purposes. “The National Gallery of Art is excited to make the unique
contents of the Foto Reali Archive more accessible to the academic and
museum community. Our collaboration with ARTstor is a natural
outgrowth of Paul Mellon’s commitment to excellence in art historical
research,” commented Turtell. James Shulman, Executive Director of
ARTstor, adds, “The Foto Reali archive is a unique source of
information on early collections of Italian paintings. ARTstor is
delighted to be able to play a part in making it more easily
accessible for scholarly and educational purposes.”

The Department of Image Collections of the Library at the National
Gallery of Art is a study and research collection of images
documenting European and American art and architecture. Established in
1943, the collection now contains almost 10 million black-and-white
photographs, negatives, slides, and microform images of all aspects of
Western art.

ARTstor and the Kress Foundation

The Samuel H. Kress Foundation and ARTstor are pleased to announce
that they have reached an agreement to collaborate on the digitization
and distribution through ARTstor of approximately 1,200 art works
formerly belonging to the Kress Collection but, through a singular act
of philanthropy, presently distributed among ninety institutions in
thirty states around the country.

From the mid-1920s to the end of the 1950s, Samuel Henry Kress
(1863-1955) and the Samuel H. Kress Foundation (est. 1929) amassed one
of the most astonishing collections of European Old Master paintings,
sculpture, and decorative arts ever assembled through the efforts of a
private individual. Even more remarkable was the manner in which the
Kress Collection was shared with the American people. In the largest
single donation of European art from the Kress Collection, 1,800 works
of art were donated to the National Gallery of Art in Washington, D.C.
The National Gallery of Art's Kress Collection contains 376 Old Master
paintings, 94 sculptures, 1,307 bronzes and 38 drawings. All of the
rest of the Kress Collection – another 1,300 pieces – was distributed
across the continent. 700 Old Masters were given to regional museums
in eighteen American cities, resulting in the Kress regional
collections of twenty to sixty Old Masters that brought the first
Italian paintings to many communities throughout the country. Another
200 paintings were divided into study collections for twenty-three
colleges and universities; these Kress study collections helped
introduce European art to institutions of higher learning. Major gifts
of special collections were also bestowed on the Metropolitan Museum
of Art (French porcelains and furniture, and a complete Robert Adam
room with Gobelins tapestries), the Pierpont Morgan Library (drawings
and illuminated manuscripts), and the Philadelphia Museum of Art (13
tapestries on designs by Rubens and Pietro da Cortona). Initiated by
Samuel Kress in the early 1930s, the distribution of art was
completed, under the guidance of his brother Rush Kress, by the Kress
Foundation between 1947 and 1961.

Through the present collaboration, the approximately 1,200 Old Master
paintings from the Kress Collection will be made available in digital
form through ARTstor. Encompassing European art of the principal
continental schools from the 13th to the early 19th centuries, the
Kress Collection’s greatest distinction resides in the extraordinary
abundance of its Italian pieces – more than 1,000 Italian paintings,
500 period frames, 1,300 small bronzes, medals, and plaquettes, and
representative sculpture, drawings, and furniture. “The world's most
encyclopaedic collection of Italian painting may be that formed by
Samuel H. Kress,” says Colin Eisler, Robert Lehman Professor of Fine
Arts at New York University’s Institute of Fine Arts. “His original
plan was to include works by every artist mentioned by Vasari but the
grand design grew to include Italian artists' works through the late
eighteenth century. Had Kress' gathering remained intact, it would
have been the wonder of viewers and scholars alike for its unique,
dazzling comprehensiveness.” Many of the greatest Italian artists –
Cimabue, Duccio, Giotto, Botticelli, Fra Angelico, Filippo Lippi,
Verrocchio, Raphael, Andrea del Sarto, Pontormo, Correggio, Bellini,
Carpaccio, Giorgione, Titian, Lotto, Tintoretto, Veronese, Carracci,
Bernini, Strozzi, Tiepolo, Guardi, Canaletto, and Bellotto – appear in
the Kress Collection, as do numerous significant works by less
familiar masters. The French school from the early Renaissance to
Poussin, Claude, Watteau, Chardin, Boucher, Fragonard, Houdon, David,
and Ingres, is richly represented. Art of German-speaking lands comes
from the hand of Dűrer, Grunewald, Altdorfer, Holbein, and
Cranach. Flemish and Spanish tastes intermingle through Petrus
Christus, Bosch, Memling, El Greco, Rubens, Van Dyck, Zurbaran, and
Goya.

In reaching this agreement, Marilyn Perry, President of the Samuel H.
Kress Foundation, and Neil Rudenstine, ARTstor’s Chairman, expressed
their enthusiasm in collaborating to use digital technologies to make
the unique Kress Collection more broadly available for noncommercial
educational and scholarly purposes. “Sharing the artistic patrimony of
Europe with the people of America was the philanthropic vision of
Samuel Kress and the Kress Foundation," comments Dr. Marilyn Perry,
President of the Samuel H. Kress Foundation. "We are deeply gratified
that the ARTstor initiative of the Mellon Foundation will make it
possible to share these treasures even more widely." Rudenstine adds,
“We at ARTstor are delighted to be working hand in hand with the Kress
Foundation – and with the scores of museums which, through Samuel and
Rush Kress’s generosity, now care for Kress paintings – to make these
extraordinary works of art more accessible to teachers, students and
scholars. This partnership is further evidence of ARTstor’s strong
commitment to engaging the museum community in our effort to build
cohesive digital collections based on the needs of scholars.”

Since its creation in 1929, the Samuel H. Kress Foundation (www.kressfoundation.org)
has devoted its resources almost exclusively to programs related to
European art. In consequence, the Foundation’s activities have been of
fundamental importance – and have established a record of philanthropy
without equal – in three primary and related areas: the collection and
distribution of works of European art to American museums, the
preservation of significant monuments of European art and
architecture, and the nurturing of professional expertise in art
history and art conservation.

Thursday, June 16, 2005

CQ PRESS OFFERS PROPRIETARY CONTENT FREE OF CHARGE ON NEW WEBSITE

Washington DC, June 2005--In an event that opens up broad access to
non-partisan, in-depth analysis of today's hottest political and
government issues, CQ Press has just introduced CQ Press in Context

(www.cqpress.com/incontext ) This is a
free web site that features selections from the award-winning CQ Press
Electronic Library. The site offers anyone with access to the Internet a
substantial sampling of the valuable CQ Press content that is usually
available only on a subscription basis.

The site's current topic, "Future of the Supreme Court," focuses on the
expected retirement of Chief Justice Rehnquist and the partisan battle
predicted to follow in the U.S. Senate when President Bush nominates a
replacement.

CQ Press strives to provide readers with objective, accessible, high
quality information on government and politics, and in this way help to
advance democracy. "We're excited about CQ Press in Context
because it fits in so
well with our publishing mission," says Kathryn C. Suárez, Director of
Reference Publishing at CQ Press. "This initiative will bring our
content to a much wider audience. Of course, we hope that the selections
available here will increase awareness of the entire CQ Press Electronic
Library. But we believe that students, educators, and interested
citizens will find this free site an incredibly useful resource on its
own."

Here is some of the wide-ranging content that visitors to CQ Press in
Context can access right
now:

- The entire CQ Researcher report, "Supreme Court's Future"
(January 2005)

- Overviews of controversial nominations from recent U.S. history;

- Selections from the Robert Bork confirmation battle plus
context-building commentary;

- An essay on how Supreme Court nominations are affected by
politics;

- A detailed explanation of the filibuster, and more.

These offerings and the many others available at CQ Press in Context
provide critical
background information to help readers clarify and expand their
understanding of this important issue. The site also offers links to
other useful and relevant sources (free resources and related CQ Press
electronic and print products).

CQ Press plans to update CQ Press in Context
frequently, targeting
new topics as they emerge as major issues. "We hope that once people see
what this site has to offer, they'll spread the word," says Suárez.
"We'd like CQ Press in Context
to become a first stop
for anyone who wants to become educated and informed about key issues
and events of the day."

* * *

ABOUT CQ PRESS

CQ Press is the leading publisher of books, directories, subscriptions,
and Web products on politics, federal and state government,
institutions, campaigns and elections, current events, and world
affairs. CQ Press content is known for its objectivity, breadth and
depth of coverage, and high standards of journalistic and editorial
excellence. For many academics, libraries, professionals, and media
outlets, CQ Press is the first source for information on politics,
policy, and people.

New Interface Coming for Ovid Products

Dear Valued Customer,
We're excited to inform you that on July 12th, your institution will
be switched over to the new Ovid Web Gateway interface.

There's still time to review the enhancements that we've made by using the Preview Site; the last new feature "Find Similar" has just been added! To assist you in becoming familiar with the interface, we've also added more training sessions, so please check the Training Schedule for a session that fits your schedule.

Please encourage your patrons to check out the refreshed interface and new features in the Preview site through either IP authentication or by logging in with their Ovid User Name / Password.

The new features include:
* Find Similar
* Find Citation
* Find Citing Articles
* Purchase Print Copy (books only)

Begin Updating Your Own Ovid Training Materials Now!
All of the new features can be viewed in the Preview Site, which means you can begin updating your Ovid training materials with screen shots reflecting your subscribed content.

In addition, we have added an Image Bank to the resource center (use your Ovid id and password).The Image Bank contains gif images of all the icons and screens related to the new interface. These may be helpful in updating your training materials as well.
Remember to visit the Resource Center!
http://www.responsetrack.net/lnk/ovid48097/?11JNX0381DP (use your Ovid id and password to enter the resource center) Check this site for materials that will assist in preparing your users for the launch of our Gateway enhancements. There's still time to register for the very popular web-based train-the-trainer sessions with the Ovid trainers.

You'll also find these materials on the site:

* Quick Reference Cards [Basic and Books@Ovid]
* Frequently Asked Questions [Product FAQ]
* Feedback form to channel your impressions back to Ovid for future consideration.
* Online Tutorial - coming soon!

About the Preview Site:
This site allows you to see your subscribed content in a "live environment" with the new Gateway interface. This site will continue to be available to you and your patrons until the switch over on July 12th. To access the Preview Site, go to http://www.responsetrack.net/lnk/ovid51085/?11JNX0381DP/ and login with your Ovid user id and password, or click START OVID if you are IP-authenticated. (If the site asks you for a password please contact Liz Kent at x6315 for assistance.)

If you need assistance accessing either the Preview Site or the Resource Center, please contact Ovid Technical Support at support@ovid.com.

We rely on ideas and feedback from you, our valued customers, when we make decisions to improve our products and services. We're confident that you'll find the new interface clean and easy to navigate. If you have specific questions, please contact us at support@ovid.com.

Sincerely,
Ovid Technologies

Wednesday, June 15, 2005

ARTstor Update

Content:

* Remote Access Grace Period Increased to 90 Days *

* The Schlesinger History of Women in America Collection Now Available
in ARTstor *

----------------------------------------------------------------------

Remote Access Grace Period Increased to 90 Days

We are delighted to inform you that the Remote Access Grace Period for
ARTstor has been increased to 90 days for registered users with
Instructor Privileges. Users without Instructor Privileges will still
have a 14-day Grace Period.

Each time you log on to your ARTstor account from within your
institution (or via your institution's proxy server), you reset your
Access Grace Period to the maximum length - 90 days for users with
Instructor Privileges and 14 days for all other registered users. This
means that for the next 14 or 90 days you will be able to access
ARTstor from any computer connected to the Internet. You will also be
able to log in to ARTstor from the Offline Image Viewer to download
your ARTstor Image Groups remotely.

If you try to access online ARTstor remotely, when you click on the
"Search and Browse for Images" link, a new window will open requesting
your email address and password. When you click the "submit" button on
that form, if you have entered a valid ARTstor user account and if you
have logged on to that ARTstor account in the past 14 or 90 days, you
will enter the ARTstor Library. As you enter, you will be reminded of
how many days remain for remote access.

For more information about the Remote Access Grace Period, please
download this PDF document [http://www.artstor.org/info/using_artstor/remoteaccess.pdf].

----------------------------------------------------------------------

The Schlesinger History of Women in America Collection Now Available
in ARTstor

It is with great pleasure that we announce the availability in ARTstor
of "The Schlesinger History of Women in America Collection." To browse
this new collection, please enter ARTstor and click on the "The
Schlesinger History of Women in America Collection" link.

The Schlesinger History of Women in America collection is the product
of a partnership between ARTstor and the Arthur and Elizabeth
Schlesinger Library, Harvard University. The collection embraces
approximately 36,000 high quality digital images from the Schlesinger
Library's renowned photographic archives. These images represent the
work of both professional and amateur artistic and documentary
photographers, including the work of many women photographers as well
as men. Portraits of women's work in domestic service, agriculture,
and needlework, their employment in factories, and opportunities in
clerical work, nursing, medicine, and teaching, are included. The
photographic archive richly documents key participants in the women's
suffrage movement and larger women's rights movement, as well as women
involved in organized labor and vocational training. The collection
includes images of diverse women, including African Americans, Asians
and other immigrants. It also includes materials related to women
artists, such as sculptor and inventor Harriet Hosmer (1830-1908).
These images provide a unique kind of documentation of women's
history, which ARTstor makes much more easily accessible to educators
and scholars.

The audience for this collection will include scholars, teachers, and
students throughout the arts, humanities and social sciences, who will
value having the ability to access and browse this unique collection
of images for educational and scholarly uses.

The Arthur and Elizabeth Schlesinger Library at the Radcliffe
Institute for Advanced Study, Harvard University, is the leading
national repository for women's history. The Library's collections
document the full spectrum of activities and experiences of American
women in the 19th and 20th centuries. Particular strengths include
women's rights and suffrage, social reform, the labor movement, work
and professions, family history, health and sexuality, culinary
history, and gender issues.

Monday, June 13, 2005

Collaborative Agreement Reached Between Florentine Cultural

ARTstor is pleased to announce that it has reached an agreement with the
Opera di Santa Maria del Fiore and the Museo Opificio delle Pietre Dure
(Florence, Italy). Through this agreement, ARTstor is supporting the
rich photographic documentation of the recently restored bronze doors on
the east side of the Florentine Baptistery, universally known as the
"Gates of Paradise" (in Italian, "Porta del Paradiso"). The sculptural
relief panels of the "Gates of Paradise," produced during the second
quarter of the fifteenth century by the great Florentine sculptor
Lorenzo Ghiberti (1378-1455), constitute one of the most important art
works of the early Italian Renaissance. After more than twenty-five
years of work, the restoration of Ghiberti's famous "Gates of Paradise"
is nearing completion. ARTstor is sponsoring the comprehensive
photographic documentation of the Gates of Paradise in their newly
restored state. This photographic campaign has produced nearly 700
stunning, detailed photographs of Ghiberti's relief sculptures, all of
which will be digitized and made available through ARTstor at the
highest resolution.

"These splendid new photos finally allow Ghiberti's work to be seen and
studied as the three-dimensional, sculptural masterpieces they are,"
according to Gary M. Radke, Professor of Fine Arts at Syracuse
University and Curator for Exhibitions of Italian Art at the High Museum
of Art, Atlanta. "Never before have we been able to study Ghiberti's
works so clearly and in such exhaustive detail. Taken from a wide
variety of angles and under lighting conditions that reveal the full
subtlety of Ghiberti's modeling and finishing, these images will
transform thinking about Ghiberti for decades to come."

The contents of this important archive will greatly enrich ARTstor's
value to a wide audience in the history of art and related fields,
including especially students of Italian Renaissance art. In reaching
this agreement, James Shulman, Executive Director of ARTstor, said, "The
'Gates of Paradise' are among the most glorious works of Italian
Renaissance art, and the recent restoration of Ghiberti's famous relief
panels is one of the crowning achievements of scientific art
conservation. ARTstor is delighted to be able to play a part in
supporting this important work through rich, new photographic
documentation, and we are equally pleased to make these stunning new
images available to scholars, teachers, and students. We anticipate that
our partnership with the relevant Italian authorities - the Opera di
Santa Maria del Fiore, Opificio delle Pietre Dure, and other Florentine
cultural agencies - will lead to many further collaborations with
Italian museums."

The Opera di Santa Maria del Fiore was founded by the Florentine
Republic in 1296 to oversee the construction of the new Cathedral and
its bell tower. Since 1436, the year in which Filippo Brunelleschi's
famous cupola was completed and the Cathedral consecrated, the principal
charge of the Opera has been to conserve the entire monumental complex.
In 1777 it was further assigned responsibility for the Florentine
Baptistery and in 1891 for the museum which had been created to house
works of art that, over the years, had to be removed from the Cathedral
and the Baptistery.

The Opificio delle Pietre Dure is an autonomous Institute of the
Florentine Ministry for Cultural Heritage, whose operational, research
and training activities find expression in the field of conservation of
works of art. It is the seat of one of the Italian state conservation
schools, of a museum displaying samples of its artistic semiprecious
stone production, a scientific laboratory for diagnostics and research,
a highly specialised library in the sphere of conservation, extremely
rich archives documenting conservation projects, a research centre and a
public climatology service. It is one of the largest institutions in
Europe in this field, having at its disposal an interdisciplinary team
of conservators, art historians, archaeologists, architects, scientific
experts and documentalists.

Collaborative Agreement Reached Between Oxford University and

Oxford University and ARTstor Inc. announced today that they had reached
an agreement whereby Oxford University's Bodleian Library and ARTstor
will collaborate on the digitization and distribution through ARTstor of
approximately 25,000 high quality images of manuscript paintings and
drawings from the Bodleian Library's outstanding collection of medieval
and renaissance illuminated western manuscripts.

With more than 10,000 volumes, the Bodleian Library's Department of
Special Collections and Western Manuscripts has one of the greatest
collections of western medieval manuscripts in the world. In recent
years, the Bodleian Library has - with support from the Getty Trust -
been developing an Electronic Catalogue of Medieval and Renaissance
Manuscripts (see
http://www.bodley.ox.ac.uk/dept/scwmss/wmss/online/medieval/). The
present collaboration with ARTstor will build on the foundation laid
through that important effort. Through this partnership, ARTstor will
digitize virtually all of the illuminated manuscript leaves from
Bodleian manuscripts through the 16th century, as well as selected 19th
and 20th- century manuscripts in the medieval tradition. The project
will also selectively include significant bindings, illuminated
initials, and text pages. The present collaboration will make this rich
body of visual material and related scholarship available online and at
high resolution for the first time. The audience for these highly valued
materials will include not only art historians and medievalists but also
scholars, teachers, and students throughout the humanities and beyond,
who will value having the ability to access, browse, and make rich
educational and scholarly uses of this unique corpus of images.

In reaching this agreement, Richard Ovenden, Keeper of Special
Collections and Western Manuscripts at the Bodleian Library, expressed
his enthusiasm in collaborating with ARTstor and in using digital
technologies to make this important scholarly resource more broadly
available for noncommercial pedagogical and scholarly purposes. "The
Bodleian Library at Oxford is delighted to be working with ARTstor in
making the tens of thousands of manuscript illuminations in our
Department of Special Collections and Western Manuscripts more widely
available to students and researchers in the field." James Shulman,
ARTstor's Executive Director, expressed ARTstor's keen interest in this
partnership. "The Bodleian Library's medieval and renaissance manuscript
collections are legendary. We at ARTstor are delighted to help make
their artistic content more readily available to scholars, teachers and
students."

The Bodleian Library is the main research library of the University of
Oxford. It is also a copyright deposit library and its collections are
used by scholars from around the world. In addition, the Bodleian
consists of nine other libraries, in separate locations in Oxford: the
Bodleian Japanese Library, the Bodleian Law Library, the Hooke Library,
the Indian Institute Library, the Oriental Institute Library, the
Philosophy Library, the Radcliffe Science Library, the Bodleian Library
of Commonwealth and African Studies at Rhodes House and the Vere
Harmsworth Library.

JSTOR Holdings Update

We are pleased to announce that thirteen new titles have been added to
the JSTOR archive. Institutions that participate in collections with new
titles will be able to access the new content immediately.

British Journal of Sociology of Education (Arts & Sciences IV Collection)
New Content: Vol. 1 – Vol. 22 (1980-2001)
Publisher: Taylor & Francis, Ltd.
ISSN: 01425692

Bulletin of the American Schools of Oriental Research (Arts & Sciences
Complement)
New Content: Nos. 1 – 324 (1919-2001)
Publisher: The American Schools of Oriental Research
ISSN: 0003097X

Feminist Review (Arts & Sciences Complement)
New Content: Nos. 1 – 63 (1979-1999)
Publisher: Palgrave Macmillan Journals
ISSN: 01417789

International Statistical Review / Revue Internationale de Statistique
(Arts & Sciences Complement)
New Content: Vol. 1 – Vol. 67 (1933-1999)
Publisher: International Statistical Institute (ISI)
ISSN: 03067734

Journal for the Scientific Study of Religion (Arts & Sciences Complement)
New Content: Vol. 1 – Vol. 38 (1961-1999)
Publisher: Blackwell Publishing on behalf of the Society for the
Scientific Study of Religion
ISSN: 00218294

Journal of Agricultural, Biological, and Environmental Statistics (Arts
& Sciences Complement)
New Content: Vol. 1 – Vol. 4 (1996-1999)
Publisher: American Statistical Association
ISSN: 10857117

Journal of Business & Economic Statistics (Arts and Sciences Complement)
New Content: Vol. 1 – Vol. 17 (1983-1999)
Publisher: American Statistical Association
ISSN: 07350015

Journal of Computational and Graphical Statistics (Arts & Sciences
Complement)
New Content: Vol. 1 – Vol. 8 (1992-1999)
Publisher: American Statistical Association
ISSN: 10618600

Journal of Law and Society (Arts and Sciences IV Collection)
New Content: Vol. 1 – Vol. 26 (1974-1999)
Publisher: Blackwell Publishing on behalf of Cardiff University
ISSN: 0263323X

Law and Human Behavior (Arts & Sciences IV Collection)
New Content: Vol. 1 – Vol. 23 (1977-1999)
Publisher: Springer Science + Business Media
ISSN: 01477307

Philosophy East and West (Arts & Sciences III Collection)
New Content: Vol. 1 – Vol. 51 (1951-2001)
Publisher: University of Hawai’i Press
ISSN: 00318221

Sociological Perspectives (Arts & Sciences Complement)
New Content: Vol. 1 – Vol. 44 (1958-2001)
Publisher: University of California Press
ISSN: 07311214

Wicazo Sa Review (Arts & Sciences Complement)
New Content: Vol. 1 – Vol. 16 (1985-2001)
Publisher: University of Minnesota Press
ISSN: 07496427

By publisher request, JSTOR is reducing the moving walls for two titles:

Harvard Studies in Classical Philology (Arts & Sciences II Collection)
New Content: None. (No volumes were published in 2001 or 2002.)
Moving Wall: 3 years (previously 4 years)
Publisher: Department of the Classics, Harvard University
ISSN: 00730688

Phoenix (Arts & Sciences Complement)
New Content: Vol. 54 – Vol. 55 (2000-2001)
Moving Wall: 3 years (previously 5 years)
Publisher: Classical Association of Canada
ISSN: 00318299

Seven previous titles to journals archived in JSTOR are now available.
The Arts & Sciences I Collection will now include this previous content
related to the current title, The Journal of the Royal Anthropological
Institute.

The Anthropological Review (Arts & Sciences I Collection)
New Content: Vol. 1 – Vol. 8 (1863-1870)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13680382

Journal of the Anthropological Society of London (Arts & Sciences I
Collection)
New Content: Vol. 2 – Vol. 8 (1864-1871)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13560131

The Journal of Anthropology (Arts & Sciences I Collection)
New Content: Vol. 1 (1870-1871)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13560123

The Journal of the Ethnological Society of London (1848-1856) (Arts &
Sciences I Collection)
New Content: Vol. 1 – Vol. 4 (1848-1856)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13680358

The Journal of the Ethnological Society of London (1869-1870) (Arts &
Sciences I Collection)
New Content: Vol. 1 – Vol. 2 (1869-1870)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13680374

Transactions of the Anthropological Society of London (Arts & Sciences I
Collection)
New Content: Vol. 1 (1863)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 1356014X

Transactions of the Ethnological Society of London (Arts & Sciences I
Collection)
New Content: Vol. 1 – Vol. 7 (1861-1869)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13680366

The complex title relationship between these previous titles and the
current title is as follows: The Journal of Anthropology and The Journal
of the Ethnological Society of London (1869-1870) merged to form The
Journal of the Anthropological Institute of Great Britain and Ireland,
which is continued by The Journal of the Royal Anthropological Institute
of Great Britain and Ireland, which in turn, is absorbed by Man. Man is
continued by The Journal of the Royal Anthropological Institute.

Although JSTOR seeks to provide every issue from a journal's run, on
occasion there are issues that we are unable to find. To see which
issues are missing, or for information about how to help JSTOR complete
the archive, please visit JSTOR's Back Issues Needed page
http://www.jstor.org/about/issues/index.html.

More detailed information about all JSTOR titles and collections can be
accessed at http://www.jstor.org/about/collection.list.html.

Delimited lists of all available JSTOR titles can be accessed at
http://www.jstor.org/about/delimited.lists.html.

NEW TITLE DEBUTS IN PROJECT MUSE

The following journals, previously announced as joining Project MUSE, are now
online:

** From the Indiana University Press:

Film History: An International Journal

Film History focuses on the historical development of the motion picture
and the social, technological, and economic context in which this has occurred.
Its areas of interest range from the technical and entrepreneurial innovations
of the early and pre-cinema experiments, through all aspects of the production,
distribution, exhibition, and reception of commercial and non-commercial motion
pictures.

E-ISSN: 1553-3905
Print ISSN: 0892-2160
OCLC NUMBER: 49633083
Included in the following packages:
Full Collection
Arts and Humanities Collection
Basic Research Collection

For more information on the journal:
http://muse.jhu.edu/journals/film_history
http://muse.uq.edu.au/journals/film_history

For the Table of Contents:
http://muse.jhu.edu/journals/film_history/toc/fih17.1.html
http://muse.uq.edu.au/journals/film_history/toc/fih17.1.html

** From the Indiana University Press:

Journal of Feminist Studies in Religion

The Journal of Feminist Studies in Religion, the oldest
interdisciplinary, inter-religious feminist academic journal in religious
studies, is a channel for the publication of feminist scholarship in religion
and a forum for discussion and dialogue among women and men of differing
feminist perspectives. The journal has two parents: the academy, in which it is
situated, and the feminist movement, from which it draws its nourishment and vision.

E-ISSN: 1553-3913
Print ISSN: 8755-4178
OCLC NUMBER: 56018756
Included in the following packages:
Full Collection
Arts and Humanities Collection
Social Sciences Collection
Basic Undergraduate Collection
Basic Research Collection

For more information on the journal:
http://muse.jhu.edu/journals/journal_of_feminist_studies_in_religion
http://muse.uq.edu.au/journals/journal_of_feminist_studies_in_religion

For the Table of Contents:
http://muse.jhu.edu/journals/journal_of_feminist_studies_in_religion/toc/jfs21.1.html
http://muse.uq.edu.au/journals/journal_of_feminist_studies_in_religion/toc/jfs21.1.html

Thursday, June 09, 2005

Collaborative Agreement Reached Between Florentine Cultural Agencies and ARTstor

ARTstor is pleased to announce that it has reached an agreement with
the Opera di Santa Maria del Fiore and the Museo Opificio delle Pietre
Dure (Florence, Italy). Through this agreement, ARTstor is supporting
the rich photographic documentation of the recently restored bronze
doors on the east side of the Florentine Baptistery, universally known
as the “Gates of Paradise” (in Italian, “Porta del Paradiso”). The
sculptural relief panels of the “Gates of Paradise,” produced during
the second quarter of the fifteenth century by the great Florentine
sculptor Lorenzo Ghiberti (1378-1455), constitute one of the most
important art works of the early Italian Renaissance. After more than
twenty-five years of work, the restoration of Ghiberti's famous “Gates
of Paradise” is nearing completion. ARTstor is sponsoring the
comprehensive photographic documentation of the Gates of Paradise in
their newly restored state. This photographic campaign has produced
nearly 700 stunning, detailed photographs of Ghiberti's relief
sculptures, all of which will be digitized and made available through
ARTstor at the highest resolution.

"These splendid new photos finally allow Ghiberti's work to be seen
and studied as the three-dimensional, sculptural masterpieces they
are," according to Gary M. Radke, Professor of Fine Arts at Syracuse
University and Curator for Exhibitions of Italian Art at the High
Museum of Art, Atlanta. "Never before have we been able to study
Ghiberti's works so clearly and in such exhaustive detail. Taken from
a wide variety of angles and under lighting conditions that reveal the
full subtlety of Ghiberti's modeling and finishing, these images will
transform thinking about Ghiberti for decades to come."

The contents of this important archive will greatly enrich ARTstor’s
value to a wide audience in the history of art and related fields,
including especially students of Italian Renaissance art. In reaching
this agreement, James Shulman, Executive Director of ARTstor, said,
“The ‘Gates of Paradise’ are among the most glorious works of Italian
Renaissance art, and the recent restoration of Ghiberti’s famous
relief panels is one of the crowning achievements of scientific art
conservation. ARTstor is delighted to be able to play a part in
supporting this important work through rich, new photographic
documentation, and we are equally pleased to make these stunning new
images available to scholars, teachers, and students. We anticipate
that our partnership with the relevant Italian authorities – the Opera
di Santa Maria del Fiore, Opificio delle Pietre Dure, and other
Florentine cultural agencies – will lead to many further
collaborations with Italian museums.”

The Opera di Santa Maria del Fiore was founded by the Florentine
Republic in 1296 to oversee the construction of the new Cathedral and
its bell tower. Since 1436, the year in which Filippo Brunelleschi’s
famous cupola was completed and the Cathedral consecrated, the
principal charge of the Opera has been to conserve the entire
monumental complex. In 1777 it was further assigned responsibility for
the Florentine Baptistery and in 1891 for the museum which had been
created to house works of art that, over the years, had to be removed
from the Cathedral and the Baptistery.

The Opificio delle Pietre Dure is an autonomous Institute of the
Florentine Ministry for Cultural Heritage, whose operational, research
and training activities find expression in the field of conservation
of works of art. It is the seat of one of the Italian state
conservation schools, of a museum displaying samples of its artistic
semiprecious stone production, a scientific laboratory for diagnostics
and research, a highly specialised library in the sphere of
conservation, extremely rich archives documenting conservation
projects, a research centre and a public climatology service. It is
one of the largest institutions in Europe in this field, having at its
disposal an interdisciplinary team of conservators, art historians,
archaeologists, architects, scientific experts and documentalists.

Collaborative Agreement Reached Between Oxford University and ARTstor

Oxford University and ARTstor Inc. announced today that they had
reached an agreement whereby Oxford University’s Bodleian Library and
ARTstor will collaborate on the digitization and distribution through
ARTstor of approximately 25,000 high quality images of manuscript
paintings and drawings from the Bodleian Library’s outstanding
collection of medieval and renaissance illuminated western
manuscripts.

With more than 10,000 volumes, the Bodleian Library’s Department of
Special Collections and Western Manuscripts has one of the greatest
collections of western medieval manuscripts in the world. In recent
years, the Bodleian Library has – with support from the Getty Trust –
been developing an Electronic Catalogue of Medieval and Renaissance
Manuscripts (see http://www.bodley.ox.ac.uk/dept/scwmss/wmss/online/medieval/).
The present collaboration with ARTstor will build on the foundation
laid through that important effort. Through this partnership, ARTstor
will digitize virtually all of the illuminated manuscript leaves from
Bodleian manuscripts through the 16th century, as well as selected
19th and 20th- century manuscripts in the medieval tradition. The
project will also selectively include significant bindings,
illuminated initials, and text pages. The present collaboration will
make this rich body of visual material and related scholarship
available online and at high resolution for the first time. The
audience for these highly valued materials will include not only art
historians and medievalists but also scholars, teachers, and students
throughout the humanities and beyond, who will value having the
ability to access, browse, and make rich educational and scholarly
uses of this unique corpus of images.

In reaching this agreement, Richard Ovenden, Keeper of Special
Collections and Western Manuscripts at the Bodleian Library, expressed
his enthusiasm in collaborating with ARTstor and in using digital
technologies to make this important scholarly resource more broadly
available for noncommercial pedagogical and scholarly purposes. “The
Bodleian Library at Oxford is delighted to be working with ARTstor in
making the tens of thousands of manuscript illuminations in our
Department of Special Collections and Western Manuscripts more widely
available to students and researchers in the field.” James Shulman,
ARTstor’s Executive Director, expressed ARTstor’s keen interest in
this partnership. “The Bodleian Library’s medieval and renaissance
manuscript collections are legendary. We at ARTstor are delighted to
help make their artistic content more readily available to scholars,
teachers and students.”

The Bodleian Library is the main research library of the University of
Oxford. It is also a copyright deposit library and its collections are
used by scholars from around the world. In addition, the Bodleian
consists of nine other libraries, in separate locations in Oxford: the
Bodleian Japanese Library, the Bodleian Law Library, the Hooke
Library, the Indian Institute Library, the Oriental Institute Library,
the Philosophy Library, the Radcliffe Science Library, the Bodleian
Library of Commonwealth and African Studies at Rhodes House and the
Vere Harmsworth Library.

New JSTOR Content available

We are pleased to announce that *thirteen* new titles have been added to
the JSTOR archive. Institutions that participate in collections with new
titles will be able to access the new content immediately.
//
/British Journal of Sociology of Education/ (Arts & Sciences IV Collection)
New Content: Vol. 1 - Vol. 22 (1980-2001)
Publisher: Taylor & Francis, Ltd.
ISSN: 01425692
//
/Bulletin of the American Schools of Oriental Research/ (Arts & Sciences
Complement)
New Content: Nos. 1 - 324 (1919-2001)
Publisher: The American Schools of Oriental Research
ISSN: 0003097X
//
//
/Feminist Review/ (Arts & Sciences Complement)
New Content: Nos. 1 - 63 (1979-1999)
Publisher: Palgrave Macmillan Journals
ISSN: 01417789
//
//
/International Statistical Review / Revue Internationale de Statistique/
(Arts & Sciences Complement)
New Content: Vol. 1 - Vol. 67 (1933-1999)
Publisher: International Statistical Institute (ISI)
ISSN: 03067734
//
//
/Journal for the Scientific Study of Religion/ (Arts & Sciences Complement)
New Content: Vol. 1 - Vol. 38 (1961-1999)
Publisher: Blackwell Publishing on behalf of the Society for the
Scientific Study of Religion
ISSN: 00218294
//
//
/Journal of Agricultural, Biological, and Environmental Statistics/
(Arts & Sciences Complement)
New Content: Vol. 1 - Vol. 4 (1996-1999)
Publisher: American Statistical Association
ISSN: 10857117
//
//
/Journal of Business & Economic Statistics/ (Arts and Sciences Complement)
New Content: Vol. 1 - Vol. 17 (1983-1999)
Publisher: American Statistical Association
ISSN: 07350015
//
//
/Journal of Computational and Graphical Statistics/ (Arts & Sciences
Complement)
New Content: Vol. 1 - Vol. 8 (1992-1999)
Publisher: American Statistical Association
ISSN: 10618600
//
//
/Journal of Law and Society/ (Arts and Sciences IV Collection)
New Content: Vol. 1 - Vol. 26 (1974-1999)
Publisher: Blackwell Publishing on behalf of Cardiff University
ISSN: 0263323X
//
//
/Law and Human Behavior/ (Arts & Sciences IV Collection)
New Content: Vol. 1 - Vol. 23 (1977-1999)
Publisher: Springer Science + Business Media
ISSN: 01477307
//
//
/Philosophy East and West/ (Arts & Sciences III Collection)
New Content: Vol. 1 - Vol. 51 (1951-2001)
Publisher: University of Hawai'i Press
ISSN: 00318221
//
//
/Sociological Perspectives/ (Arts & Sciences Complement)
New Content: Vol. 1 - Vol. 44 (1958-2001)
Publisher: University of California Press
ISSN: 07311214
////
////
//Wicazo/ Sa Review/ (Arts & Sciences Complement)
New Content: Vol. 1 - Vol. 16 (1985-2001)
Publisher: University of Minnesota Press
ISSN: 07496427

By publisher request, JSTOR is reducing the moving walls for *two* titles:
//
/Harvard Studies in Classical Philology/ (Arts & Sciences II Collection)
New Content: None. (No volumes were published in 2001 or 2002.)
Moving Wall: 3 years (previously 4 years)
Publisher: Department of the Classics, Harvard University
ISSN: 00730688
//
//
/Phoenix/ (Arts & Sciences Complement)
New Content: Vol. 54 - Vol. 55 (2000-2001)
Moving Wall: 3 years (previously 5 years)
Publisher: Classical Association of Canada
ISSN: 00318299
**
**
*Seven* previous titles to journals archived in JSTOR are now
available. The Arts & Sciences I Collection will now include this
previous content related to the current title, /The Journal of the Royal
Anthropological Institute/.
//
/The Anthropological Review/ (Arts & Sciences I Collection)
New Content: Vol. 1 - Vol. 8 (1863-1870)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13680382
//
//
/Journal of the Anthropological Society of London/ (Arts & Sciences I
Collection)
New Content: Vol. 2 - Vol. 8 (1864-1871)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13560131
//
//
/The Journal of Anthropology/ (Arts & Sciences I Collection)
New Content: Vol. 1 (1870-1871)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13560123
//
//
/The Journal of the Ethnological Society of London/ /(1848-1856)/ (Arts
& Sciences I Collection)
New Content: Vol. 1 - Vol. 4 (1848-1856)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13680358
//
//
/The Journal of the Ethnological Society of London (1869-1870)/ (Arts &
Sciences I Collection)
New Content: Vol. 1 - Vol. 2 (1869-1870)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13680374
//
//
/Transactions of the Anthropological Society of London/ (Arts & Sciences
I Collection)
New Content: Vol. 1 (1863)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 1356014X
//
//
/Transactions of the Ethnological Society of London/ (Arts & Sciences I
Collection)
New Content: Vol. 1 - Vol. 7 (1861-1869)
Publisher: Royal Anthropological Institute of Great Britain and Ireland
ISSN: 13680366

The complex title relationship between these previous titles and the
current title is as follows: /The Journal of Anthropology/ and /The
Journal of the Ethnological Society of London (1869-1870)/ merged to
form /The/ /Journal of the Anthropological Institute of Great Britain
and Ireland, /which is continued by /The Journal of the Royal
Anthropological Institute of Great Britain and Ireland/, which in turn,
is absorbed by /Man/. /Man /is continued by /The Journal of the Royal
Anthropological Institute./


More detailed information about all JSTOR titles and collections can be
accessed at http://www.jstor.org/about/collection.list.html.

Delimited lists of all available JSTOR titles can be accessed at
http://www.jstor.org/about/delimited.lists.html.

Monday, June 06, 2005

ARTstor Update: AMICO, ACSAA and ARTstor

JUNE 6, 2005

Content:

* ARTstor plans for AMICO Content

* Collaborative Agreement Reached Between the University of Michigan,
the American Council for Southern Asian Art (ACSAA), and ARTstor

* Other News

----------------------------------------------------------------------

ARTstor plans for AMICO Content

Many of you are aware that as part of the agreement reached between
ARTstor and the Art Museum Image Consortium (AMICO) in June 2004,
AMICO will be phasing out its independent operations as of July 2005.
AMICO is supporting ARTstor's role in providing broad based access to
what is expected to be the world's largest single collection of online
art images designed specifically for use by the education, research
and arts communities (http://www.artstor.org/info/news/AMICO.jsp).

Because the AMICO Library™, an image resource to which some ARTstor
participants still subscribe, will cease to exist in its current form
when the AMICO organization ceases operations, some ARTstor
participants have been inquiring as to the status of including The
AMICO Library™ content into the ARTstor Charter Collection.

In order for ARTstor to carry on AMICO’s efforts, we began the process
of reaching agreements with each of the 39 museum members of AMICO in
the fall of 2004. Twenty AMICO member museums have now expressed their
intention to share content through ARTstor on a non-exclusive basis.
Eighteenixteen of these museums have committed to contribute their
content and four museums are currently reviewing agreements. ARTstor
is in active discussions with the remaining museums. The currently
contributing museums are:

- The Art Institute of Chicago [http://www.artic.edu/]
- Asia Society [http://www.asiasociety.org/]
- The Cleveland Museum of Art [http://www.clevelandart.org/]
- Dallas Museum of Art [http://www.dallasmuseumofart.org/]
- Davis Museum and Cultural Center, Wellesley College [http://www.davismuseum.wellesley.edu/]
- Fine Arts Museums of San Francisco [http://www.thinker.org/]
- The Frick Collection [http://www.frick.org/]
- George Eastman House [http://www.eastmanhouse.org/]
- Los Angeles County Museum of Art [http://www.lacma.org/]
- The Metropolitan Museum of Art [http://www.metmuseum.org/]
- The Minneapolis Institute of Arts [http://www.artsmia.org/]
- Museum of Fine Arts, Boston [http://mfa.org/]
- Philadelphia Museum of Art [http://www.philamuseum.org/main.asp]
- Smithsonian American Art Museum [http://americanart.si.edu/index3.cfm]
- Sterling and Francine Clark Art Institute [http://www.clarkart.edu/]
- Terra Foundation for American Art [http://www.terraamericanart.org/]
- Victoria and Albert Museum [http://www.vam.ac.uk/]
- The Walters Art Museum [http://www.thewalters.org/]

ARTstor staff have made integrating former AMICO Library™ images into
ARTstor a high priority, in the interest of ensuring a smooth
transition for ARTstor users. By July 2005, approximately 30,000
museum contributed images will be available in ARTstor. We anticipate
that roughly 80,000 images will be added in the coming months; the
next release taking place in early fall 2005. At least a quarter of
the former AMICO museums are taking this transition as an opportunity
to provide better quality images and data to accompany existing
ARTstor content.. We feel confident that perhaps 70% of the former
AMICO Library™ will be represented in ARTstor by the end of 2005,
along with many museum images that were not part of AMICO in its
initial form.

As part of ARTstor’s mission to provide content that meets the
scholarly needs of researchers, we will continue to seek content from
the museum community. Additionally, ARTstor will continue to add
content to the current Charter Collection until we exceed our goal of
500,000 images.

----------------------------------------------------------------------

Collaborative Agreement Reached Between the University of Michigan,
the American Council for Southern Asian Art (ACSAA), and ARTstor

The University of Michigan, the American Council for Southern Asian
Art (ACSAA), and ARTstor Inc. announced today that they had reached an
agreement whereby the University of Michigan and ARTstor will
collaborate on the distribution through ARTstor of approximately
13,000 high quality digital images from the University of Michigan
slide distribution service’s “ACSAA Color Slide Project.” Spanning
nearly 3,000 years of Southern Asian culture, the ACSAA Color Slide
Project has been the primary source of teaching images in the field of
Southern Asian art and architecture for thirty years.

The ACSAA Color Slide Project is a non-profit supplier of photographic
materials of Southern Asian art. Since 1974, the Project has provided
high quality yet modestly priced color slides of the art and
architecture of India and other South and Southeast Asian countries
(Nepal, Tibet, Burma, Thailand, Sri Lanka, Cambodia, Indonesia,
Pakistan, Afghanistan) to individuals and institutions for teaching
and research purposes around the world.

This collaboration will make this rich body of visual material and
related scholarship available online and at high resolution for the
first time. The audience for these materials will include not only art
historians but also scholars, teachers, and students throughout the
humanities and social sciences, who will value having the ability to
access, browse, and make rich educational and scholarly uses of this
unique corpus of images. Through this agreement, the University of
Michigan expects to make sets of the digital images available to
individual scholars, here and abroad, as it has always done with its
slide sets.

In reaching this agreement, Alex Potts, Professor and Chair of the
History of Art Department at the University of Michigan, and Mary Beth
Heston, President of ACSAA and Chair of the Art History Department at
the College of Charleston, expressed their enthusiasm in collaborating
with ARTstor and in using digital technologies to make this important
scholarly resource more broadly available for noncommercial
pedagogical and scholarly purposes. “The History of Art Department at
Michigan is very glad to be working with ARTstor in making a
significant portion of the exceptionally rich visual archive of Asian
material it administers more widely available to students and
researchers in the field. Collaborating with the American Council for
Southern Asian Art to bring the holdings of the ACSAA Color Slide
Project to a wider audience is important for the educational mission
of both our institutions,” said Professor Potts, expressing the
University of Michigan’s enthusiasm for this collaboration. “ACSAA
believes ARTstor shares the original educational and scholarly
objectives of ACSAA in assembling and distributing these images.
ARTstor will further our mission to provide an important resource for
scholars, teachers and students by bringing this resource into the
digital age,” Professor Heston adds on behalf of ACSAA. Max Marmor,
ARTstor’s Director of Collection Development, expressed ARTstor’s keen
interest in this partnership. “The ACSAA slides have been one of the
key sources of teaching images in Asian art and architecture for
decades. Making these very important images available to teachers and
scholars in digital form through ARTstor will significantly ease the
transition to digital for hosts of teachers and students, while also
adding a new dimension to the immensely important slide distribution
projects at the University of Michigan and strengthening ACSAA’s key
role in support of the study of Southern Asian Art.”

The ACSAA Color Slide Project is a not-for-profit service established
by the American Council for Southern Asian Art (ACSAA) at the
University of Michigan in the mid-1970s. Since then the ACSAA Color
Slide Project has functioned as a service to the educational
community. The Project, which has benefited from the contributions of
many individual photographers, concentrates on photographing and
distributing, at an affordable price, slides of art objects from
exhibitions, distinguished private collections, and the permanent
collections of major American and South Asian museums. The project
also photographs and distributes slides of major architectural sites
that include sculptural monuments. For more information on the
Project, see its website at http://www.umich.edu/~hartspc/acsaa/acsaa.html.

The American Council for Southern Asian Art (ACSAA) is a non-profit
organization dedicated to advancing the study and awareness of the art
of South and Southeast Asia. In addition to periodic symposia, ACSAA
pursues these goals through various projects, including its bi-annual
newsletter, bibliographies, and of course the ACSAA Color Slide
Project. Since its incorporation in 1967, ACSAA has grown from its
original fifteen members to an organization of some three hundred
individuals and institutions. For more information on ACSAA see the
organizational website at http://kaladarshan.arts.ohio-state.edu/acsaa/hp.html.

----------------------------------------------------------------------

Other News

ARTstor has added a new report to the usage statistics site at http://stats.artstor.org.
The Monthly Summary Report provides counts of events, sessions, and
minutes. This report will also detail the number of unique users who
have logged in to ARTstor and the number of new registrations for a
given time period.

We hope that this additional information will be helpful to you as you
track usage at your institution. The usage reports are password
protected. If you do not have the password but need to access the
statistics, please contact userservices@artstor.org.

We are continuing to add daily training sessions throughout the
summer. To see the current calendar, please visit artstor.webex.com
and click on the "Upcoming" tab under "Attend a Session" > "Live
Sessions". Sessions are currently scheduled through June. Please check
the schedule often as we will try to post sessions at least 3-4 weeks
in advance.

Please note, all times on the schedule are Eastern Daylight Time. To
register for a session, please follow the instructions on this web
page: http://www.artstor.org/info/using_artstor/eut_register.jsp.